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14. VII - 14. VIII 2004.

CROATIAN GUITAR QUARTET

Galerija umjetnina / Gallery of Fine Arts : 21. VII 2004

Robert Belinić, Frane Verbanac, Ivan Vihar, Kajo Milišić


Program

ASTOR PIAZZOLLA (1921-1992)
Summit *
20 years ago
Reminiscence
Summit

DARIUS MILHAUD (1892-1974)
Saudades do Brasil *
Sorocabo
Corcovado
Leme
Tijuca
Ipanema


JOAQUÍN TURINA (1882-1949)
Dances Gitanes *
Zambra
Danca de la seduccion
Generalife
Fiestas de las calderas
Sacro monte

FEDERICO MORENO TORROBA (1891-1982)
Estampas
Bailando un Fandango Charro
Fiesta en el Pueblo
Amanecer
Juegos Infantiles

DJANGO REINHARDT (1910-1953)
Minor Swing **
Cavalerie ***
Belleville ***

* Arr. Ante Čagalj
** Arr. Frane Verbanac
*** Arr. Ivan Vihar

CROATIAN GUITAR QUARTET sastav je iznimno talentiranih mladih umjetnika. U postavi Robert Belinić, Frane Verbanac, Ivan Vihar i Kajo Milišić, formiran je 2001. godine u Augsburgu u Njemačkoj, gdje svi članovi kvarteta studiraju u klasi prof. Franza Halasza na konzervatoriju Leopold Mozart. Prije dolaska u Augsburg, svi su završili srednju glazbenu školu u klasi prof Ante Čaglja na glazbenom učilištu Elly Bašić u Zagrebu. Sudjelovali su na mnogim natjecanjima te osvojili brojne nagrade kako samostalno tako i u raznim komornim sastavima.

Tijekom 2003. godine, s Takeom Satom, također studentom prof Hanza Halasza na konzervatoriju Leopold Mozart, koji je privremeno mijenjao Kaja Milišića, snimili su CD s glazbom argentinskog skladatelja Astora Piazzolle, te su uz brojne samostalne koncerte bili dva puta gosti festivala Atrium Klange u Nurnbergu. Tijekom 2003. godine održali su i koncerte praćene pohvalnim kritikama na Splitskom i Šibenskom ljetu.

CRITICS: "...Thumbs up when it comes to such concerts because they promote some people who have something to say."
"Voluminous and impressive "Summit", during seven movements offered various contents which inspired both performers and audience, the movements: Years of solitude and Close your eyes and listen with beautifull sound graduation pleased everyone with its suggestion and longing for expression. Another success story followed with Brazilian folk songs of Chelso Machado with which by now, evidently relaxed young musicians performed with temperament and spontaneity. Huge applause marked the end of a very impressive, authentic summer concert."